Reading the Old Testament with contextual sensitivity and theological depth can be difficult. It’s all too easy for people to assume they already know what the text is saying or to treat the Old Testament as a mere backdrop for the New Testament. University of Notre Dame professor Gary A. Anderson is well aware of these dangers, but he doesn’t let them dissuade him from reading the Old Testament with doctrinal reflection in mind.
On the first page of Christian Doctrine and the Old Testament, he reveals the admittedly ambitious aim of the book: to demonstrate that “theological doctrines need not be a hindrance to exegesis but, when properly deployed, play a key role in uncovering a text’s meaning” (p.xi). In the world of biblical studies, this can be seen as a pretty provocative claim. Some scholars worry this type of approach inevitably overlooks the continued place of these scriptures in the Jewish canon and leads to the error of triumphalistic supersessionism. Anderson himself acknowledges the importance of these concerns, and he reassures readers that his Old Testament studies “take the Jewish character and integrity of the text with utmost seriousness” (p.xii). Continue reading
In the eyes of a fair number of Christians today, the imagination doesn’t seem to count for very much—or at least that’s how Kevin Vanhoozer describes the current landscape in the introduction to his new essay collection Pictures at a Theological Exhibition. He believes that many evangelicals unfortunately view the imagination essentially as “a factory for producing images of things that are not there” (p.18). “Maybe it’s important for telling good stories at night or writing gripping novels, but it’s not that important for theology,” they might say.
When the imagination isn’t considered theologically useful, it seems like the value of analytic activities like systematic theology tend to get over-emphasized while artistic expressions like poetry get marginalized. For Vanhoozer, though, both systematic theology and poetry have important roles to play in the Christian life. He writes, “We need both the clarity of crisp concepts and the intricacy of lush metaphors in order to get sound, life-giving doctrine” (p.13). His overall indictment is that many contemporary believers don’t think having a developed biblical imagination matters. In a world where “many Christians are [simultaneously] suffering from malnourished imaginations, captive to culturally conditioned pictures of the good life,” this is a sadly ironic state of affairs (p.20).
It was the 2nd century church father Tertullian who asked, “What does Athens have to do with Jerusalem?” Readers coming to Kevin Vanhoozer’s dense and immensely rewarding The Drama of Doctrine might initially voice a similar question: “What does Broadway have to do with Jerusalem?” In other words, what does the church have to learn about its task from the theater? I believe that Vanhoozer’s reply would likely be something along the lines of, “Actually, more than you might think.”
The core of Vanhoozer’s proposal consists in a series of striking theatrical metaphors for theology, Scripture, interpretation, the Church, and even the pastor (p.xii). For him, these metaphors are appropriate because the world of “faith seeking understanding” is itself dramatic. He explains, “At the heart of Christianity lies a series of divine words and divine acts that culminate in Jesus Christ… The gospel—God’s self-giving in his Son through the Spirit—is intrinsically dramatic” (p.17). As a theological metaphor, the theater can also help show “how we come to know things not simply by beholding and contemplating them but by indwelling and participating in them” (p.79). Continue reading
What should healthy biblical interpretation look like? Craig Bartholomew’s Introducing Biblical Hermeneutics addresses this question head on, giving a sweeping introduction to the subject that both explains the history and importance of various academic approaches while also developing for readers a vision of biblical hermeneutics that is trinitarian in shape and aimed ultimately at enabling “obedient attention to God’s address through his Word” (p.10). Bartholomew was born in South Africa in 1961 and now teaches at Redeemer University College in Ontario, Canada.
Hermeneutics deals with the study of interpretation, especially in regards to works of literature. Therefore, it’s a particularly relevant area of study for Christians given the uniquely authoritative role Scripture plays in shaping the beliefs and practices of the Church. Bartholomew invokes the words of Karl Barth to make clear the kinds of demands made by the Bible on its readers, “If Scripture is the Word of God, then, as Karl Barth rightly observes, no one can stand before it as a spectator” (p.45). Hermeneutics might seem intimidating and irrelevant, but Bartholomew argues that it actually is “the theory of a practice,” adding that when it’s done well, “hermeneutics deepens and enriches our practice of engagement with the Bible as Scripture” (p.12). Continue reading